Art Workshops, Classes & Retreats


"Lithography"
Wednesdays, January 24 - April 18, 2018
 

The ideal printmaking medium for those who love to draw! Design and draw your own magery with a variety of lithographic drawing materials on traditional stone or lightweight aluminum plates. All aspects of the process will be demonstrated from creating a drawing, to printing in black-and-white and color. All levels welcome.
 
Location: Philadelphia, Pennsylvania
Instructor: Ron Wyffels
Cost: For Credit: $625; Non-Credit: $495; Lab Fee: $20
Sponsor: Pennsylvania Academy of the Fine Arts
Website, email, 215-972-7632


"Monoprint/Etching"
Thursdays, January 25 - April 19, 2018
 

This course presents basic intaglio and monotype printing techniques including monoprint, drypoint, etching, aquatint, collograph and polymer plate methods. Image embellishments will include embossing, chine collé, collage, paper plates and mixed media techniques. All levels welcome; experienced students may continue independent work.
 
Location: Philadelphia, Pennsylvania
Instructor: Anthony Rosati
Cost: For Credit: $625; Non-Credit: $495; Lab Fee: $20
Sponsor: Pennsylvania Academy of the Fine Arts
Website, email, 215-972-7632


"Screenprinting and Beyond"
Fridays, January 26 - April 20, 2018
 

The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects.
 
Location: Philadelphia, Pennsylvania
Instructor:
Cost: For Credit: $625; Non-Credit: $495; Lab Fee: $20
Sponsor: Pennsylvania Academy of the Fine Arts
Website, email, 215-972-7632


"Creating on Water Workshop"
February 3-4, 2018
 

This unique process combines science with art and guarantees some fabulous results. The process involves floating an acrylic mixture on a 'specially' prepared bath and allows the artist to manipulate the paint into delightful shapes and compositions that are then printed. The images created are very unique to this process and can't be produced with a paintbrush. This is truly an addictive process!
 
Location: Chicago, Illinois
Instructor: Ingrid E. Albrecht
Cost: $305 Includes a light breakfast & some supplies
Sponsor: Ingrid's Originals Studio
Website, email, 312-320-0833


"From Dürer to Artschwager: More Highlights of Printmaking History"
Wednesdays, February 21 - March 28, 2018
 

This class presents an overview of important prints spanning the 15th to the 21st centuries, with emphasis on their context and the evolution of various printmaking mediums. View and discuss examples of traditional and contemporary milestone prints in the print study rooms of both PAFA and the Philadelphia Museum of Art.
 
Location: Philadelphia, Pennsylvania
Instructor: Anthony Rosati
Cost: Non-Credit: $150
Sponsor: Pennsylvania Academy of the Fine Arts
Website, email, 215-972-7632


"Solar Etching"
Saturdays, February 24 - March 17, 2018
 

Celebrate spring with this versatile, simple and environmentally-friendly way to make painterly prints without using chemicals or acid. Transfer your drawings, paintings and/or computer generated images to a light-sensitized plate which then can be developed with water and printed. A safe and direct way to make images!
 
Location: Philadelphia, Pennsylvania
Instructor: Lesa Chittenden Lim
Cost: Non-Credit: $150, Lab Fee: $10
Sponsor: Pennsylvania Academy of the Fine Arts
Website, email, 215-972-7632


"Hand-Printed Monotype"
February 24, 2018
 

An introduction to quick and easy monotype printmaking methods that do not require a press or fully-equipped shop. These techniques are easily transportable for use outside for plein air work, on a table at home or in the classroom. Learn oil-based, dark field, water-based and Gauguin monotype processes.
 
Location: Philadelphia, Pennsylvania
Instructor:
Cost: Non-Credit: $95, Lab Fee: $35
Sponsor: Pennsylvania Academy of the Fine Arts
Website, email, 215-972-7632


"Monotype Print Making"
March 1-3, 2018
 

National award winning artist Gerald Ruggiero will cover a wide range of techniques possible in the monotype process including: additive and subtractive approaches, ink rolling methods, ghost prints, and “Chine Colle”. Students will learn “Additive” and “Subtractive” techniques used in the image making process. Using demonstration and guidance each student will learn how to compose a monotype using all design elements such as line, color, value, edge and texture. This high-energy workshop will afford students with a truly fun experience while acquiring critical skill sets that can be used in any art form moving forward. Monotype is the “painterly print” and is a most rewarding and exciting method of artistic expression.
 
Location: Scottsdale, Arizona
Instructor: Gerald Ruggiero, www.geraldruggiero.com
Cost: $300
Sponsor: Scottsdale Artists' School
Website, email, (480) 990-1422 or (800) 333-5707


"Woodcut Workshop with Dan Miller"
March 3-8, 2018
 

Don’t miss the opportunity to work with Dan Miller, a member of the PAFA faculty for over 50 years and a master of woodblock printing. Held in PAFA’s state-of-the art Print Shop, this workshop will begin with a printing demonstration and a slide lecture illustrating the vast historical variety within the woodcut experience. Studio activity will focus on designing an image, cutting the woodblock, and printing in blackand-white and color. Attention will be given to equipment usage and to paper selection and employment, with an emphasis on hand-printing.
 
Location: Philadelphia, Pennsylvania
Instructor: Dan Miller
Cost: $395, Lab Fee: $20
Sponsor: Pennsylvania Academy of the Fine Arts
Website, email, 215-972-7632


"Eco Printing"
April 16-17, 2018
 

Eco Printing is a process using leaves, flowers, fruits, vegetables and other natural materials to create amazing colorful prints on paper or fabric. Through a process of steaming or emersion, the natural tannins plants are printed onto the surface through pressure, contact, and a chemical reaction. This produces a wide-range of colors resulting in a never-ending surprise. No artistic experience is necessary to take this class - just the willingness to experiment, a love of surprises, and a joy for nature.
 
Location: Ann Arbor, Michigan
Instructor: Trish McKinney
Cost: $245
Sponsor: Artensity
Website, email


"Teen Workshops: Screen Printing"
April 28, 2018
 

Silkscreen printing is a versatile process that can be used to transfer graphic images to a variety of materials, including paper and fabric. Design and print a series of one- or two-color prints based on your personal drawings or photographs. The morning will be dedicated to designing imagery and preparing materials, including applying emulsion and exposing screens, and mixing ink. Spend the afternoon learning proper printing techniques and registration. Leave this workshop with a series of prints and new skills to add to your portfolio.
 
Location: Fish Creek, Wisconsin
Instructor: Don Krumpos
Cost: $60
Sponsor: Peninsula School of Art
Website, email, (920) 868-3455


"Monotype Workshop with Stuart Shils"
May 18-20, 2018
 

Experience the joys and possibilities of monotype printmaking with an emphasis on color and abstraction in the shaping of the visual image. Through the monotype process, students will understand pictorial structure (design) and mood as the keys to visual coherence and graphic strength. Working from window views and in-studio drawings, students will employ graphic shorthand and visual memory to generate imagery that captures the essence of places and moments through color and form, exploring the intimate relationship between observation and abstract structure. Rather than enforcing Shils’ style, instruction will encourage artists to create prints that promote their personal voice and expression. Space is limited to 10 students.
 
Location: Philadelphia, Pennsylvania
Instructor: Stuart Shils
Cost: $950
Sponsor: Pennsylvania Academy of the Fine Arts
Website, email, 215-972-7632


"Artists’ Revival Mixed Media Expressive Arts Retreat for Women"
June 17-23, 2018
 

Realign with your artistic spirit at the Historic Mabel Dodge Luhan House nestled at the foot of the Taos Indians’ Sacred Mountain. How would it be to claim time devoted solely to your art this year?! What Helen Wilson and Pamela Underwood have in store for you is an artists’ refuge; working in a New Mexico Studio, for the sole purpose of reconnecting, refueling and reviving your artistic self. Practice making art daily with guidance from professional artists, Pamela and Helen. Tap into the creative energy of Taos, New Mexico’s earth, air, water, and sky. Early Bird Promotion! Register before March 5, 2018, and get $100 off of your final balance due!
 
Location: Taos, New Mexico
Instructor: Pamela Underwood & Helen Wilson
Cost: $2300 - $2500
Sponsor: Artists' Revival Retreat
Website, email


"Shibori: A Change of Surface: Working on Paper, Leather, Industrial Felt"
June 25-29, 2018
 

Change the substrate and all assumptions are off. Come join us to explore working with these different materials using shibori, painting, and block printing. Indigo, thickened indigo paste, indigo discharge, kakishibu, and mordant printing offer a wide range of possibilities. We will compare with more traditional fabrics, processes, and dyes. We will create samples and accessories, art paper for portfolios or books. Ana Lisa will bring Japanese samples of Indigo shibori and her own examples of non-traditional fabrics.
 
Location: Coupeville, Washington
Instructor: Ana Lisa Hedstrom
Cost: $725
Sponsor: Pacific Northwest Art School
Website, email, 360-678-3396, Toll-Free: 1-866-678-3396


"The Multiplicities of the Monotype"
June 29-30, 2018
 

This workshop introduces basic monotype printmaking processes, materials, and equipment with an emphasis on the variability and multiplicity of the medium. Discover the relationship between this process and other disciplines, including painting and drawing, as you experiment with a variety of techniques and approaches. Demonstrations will address general printmaking techniques, including ink mixing, color theory, paper handling, iteration of the multiple, materials safety, and press use, as well as monotype specific techniques, such as subtractive and additive painting, stencils, and more. Plenty of hands-on practice will be a priority allowing time to experiment and iterate. Open to all levels, however knowledge of two-dimensional elements of art and design are helpful.
 
Location: Fish Creek, Wisconsin
Instructor: Don Krumpos, JabberwockStudio.com
Cost: Members: $235, Non-Members: $260, includes materials fee
Sponsor: Peninsula School of Art
Website, email, (920) 868-3455


"Screen Printing on Clay"
July 30 - August 2, 2018
 

This workshop embraces a cross-disciplinary approach to surface design on functional and sculptural ceramics. Using screen printing methods, you will explore both simple graphic designs and the possibilities for printing photographic imagery on wheel thrown or hand built work. Join Megan as she shares how to develop imagery, including approaches for research, design, and formatting specifically for ceramic work. Demonstrations will introduce you to preparing screens using masking processes and photo emulsion, making an ‘ink’ out of ceramic materials, and printing directly and indirectly on clay. This workshop is designed for students with some ceramics experience, either hand building or throwing. Fee includes clay and firing fees. Plus printmaking materials fee.
 
Location: Fish Creek, Wisconsin
Instructor: Megan Mitchell, www.MeganMitchellCeramics.com
Cost: Members: $485, Non-Members: $525
Sponsor: Peninsula School of Art
Website, email, (920) 868-3455


"Fusion of Botanical Print & Natural Dyes"
August 8-12, 2018
 

In this workshop we are going to explore botanical printing and how to create well planned and designed textile. Through trials and error and a lot of sampling, students will get to know a variety of plants and their potential effect (Color, tannin, discharge and negative). Students will learn how to combine them together and create a composition with an impressive 3D look, to maximize this potential and develop it further into well designed fabrics. On the technical side, we are going to explore mordanting, dyeing with various plant dyes and different printing techniques.
 
Location: Coupeville, Washington
Instructor: Irit Dulman
Cost: $850 plus $120 materials fee
Sponsor: Pacific Northwest Art School
Website, email, 360-678-3396, Toll-Free: 1-866-678-3396


"No Press Required: Adding Printed Texture and Surprise to Your Paintings"
August 20-21, 2018
 

Combining printmaking techniques with painted compositions offers a way to continually surprise yourself and loosen up, resulting in unexpected textures and happy accidents. This process-based workshop will encourage you to take risks, experiment, and incorporate new visual elements in your existing work. Focusing on printmaking methods that do not require a press, Carolyn will demonstrate trace monotypes, stencils, rubber stamps and linoleum, gel medium “surprises”, and rubbings. A spirit of experimentation and collaboration will be encouraged as you work quickly to combine and layer different techniques to achieve a variety of effects. A group critique will close the workshop.
 
Location: Fish Creek, Wisconsin
Instructor: Carolyn Swiszcz, www.CarolynSwiszcz.com
Cost: Members: $235, Non-Members: $260
Sponsor: Peninsula School of Art
Website, email, (920) 868-3455


"Printmaking Without a Press"
September 14-18, 2018
 

In this workshop students learn how to make high quality original prints without a press, and with easy soap and water cleanup. Using Golden Open acrylic paints and other water-based media, several methods of printmaking without a press will be presented with clear step-by-step demonstrations. Students can also combine these methods for unlimited potential, using lighter weight papers for collage and other paper arts, or heavier printmaking paper for finished art prints. Lightweight fabrics can also be used. Playful experimentation and fun are encouraged in this workshop! Demonstrations and individual discussions will help each student to create work using their own aesthetic ideas.
 
Location: Coupeville, Washington
Instructor: Suzanne Siegel
Cost: $395 plus $5 materials fee
Sponsor: Pacific Northwest Art School
Website, email, 360-678-3396, Toll-Free: 1-866-678-3396


"Screen Printing Basics"
October 5-6, 2018
 

Explore the world of screen printing in this introductory workshop. Participating in the process from start to finish, you will transform black line drawings and photographs into immediate, colorful, and high-quality prints. Using the basics of silkscreen printing, Chris will guide you through the process of making film positives from your personally drawn or photographed artwork, applying emulsion and exposing screens, mixing ink, organizing registration, and printing successfully. Additional screen print methods will be covered, including using screen filler and color reduction printing. Open to all skill levels, however knowledge of two-dimensional principles of art and design are helpful.
 
Location: Fish Creek, Wisconsin
Instructor: Christine Style, www.ChristineStyle.com
Cost: Members: $245, Non-Members: $270, includes materials fee
Sponsor: Peninsula School of Art
Website, email, (920) 868-3455


"The Collagraph: Textures and Topographies"
October 5-6, 2018
 

Collagraphs are often experimental prints made from collaging textured items onto a matrix resulting in rich, textured images. Easily combined with other techniques, this process promotes exploration and improvisation. Don will demonstrate each of the collagraph techniques introduced, as well as ink mixing, color theory, paper handling, iteration of the multiple, materials safety, and press use. Hands-on practice will be a priority to allow for time to experiment and iterate. Open to all levels, however knowledge of two-dimensional elements of art and design are helpful.
 
Location: Fish Creek, Wisconsin
Instructor: Don Krumpos, JabberwockStudio.com
Cost: Members: $235, Non-Members: $260, includes materials fee
Sponsor: Peninsula School of Art
Website, email, (920) 868-3455


"Block Print"
Everyday
 

Step into a centuries old world of block print, an Indian art aesthetic which is prominent in the local creation realm. Learn to speak with color and shapes as you explore this form. What to expect from this workshop: Learn block printing using a motive or all-over design. Create your own unique print by selecting designs and colors.
 
Location: Jaipur, India
Instructor:
Cost: $20
Sponsor: Creatis
Website, email, 98286 01666


"Open Studios"
November thru April
 

Make room for your creativity this winter. This is the time we open our light-filled, generously appointed studios to individuals and groups in search of a space for self-directed creativity. Some groups have even made it an annual tradition! You're free to utilize special equipment like potter's wheels, jewelry torches, an etching press, or substantial easels for large-scale work. If you have special equipment or studio needs, please let us know ahead of time. Shared studio space is available for rent Tuesday through Saturday. Enjoy the luxury of an expansive workspace without having to set up or take down your materials during the continuous length of your rental. Other amenities include unlimited complementary hot coffee in our Guenzel Gallery and full kitchen privileges.
 
Location: Fish Creek, Wisconsin
Instructor:
Cost: Members: $15 per day, $65 for 5 days, $120 for 10 days
Sponsor: Peninsula School of Art
Website, email, (920) 868-3455


"Mixed Media Online Workshop"
Begin this online class at any time
 

Learn mixed media in the comfort of your own home, no matter where you live. You'll learn how to connect with your creative spirit as you express your personal ideas. In this online class, you'll watch videos to learn collage & simple printing techniques. You'll learn to cut a stencil & apply paint or texture through it. I'll explain clearly & show techniques in a series of short videos. You'll learn & have fun, even if you've never painted before. Experienced painters will love exploring new tools & techniques. You'll have so much fun making your mixed media paintings. The best art comes from creative play.
 
Location: Web-delivered (Online)
Instructor: Ann Bell
Website, email, 281-330-3827


 

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