Art Workshops, Classes & Retreats


"Painting the Story in Still Life"
February 9-11, 2018
 

Every painting, even the humble still life, has a story in it. It's told by what subject we choose to paint, how we present that subject, and how we paint it. Finding what interests us in a subject and how we connect to it drives that story, and directs how the painting is made. We’ll work on small still life paintings to explore the process—from thumbnail sketches, lighting the subject, considerations of composition, to the application of paint to build form with light, color and mark. We will walk the line between technique and intuition, using the still life as a way to explore paint, and why we make art.
 
Location: Bainbridge Island, Washington
Instructor: Scott Conary
Cost: $400
Sponsor: Winslow Art Center
Website, email, 206-715-6663


"Painting the Dynamic Still Life"
April 6-8, 2018
 

Join artist Sarah Sedwick, and discover how much fun still life painting can be! During this three-day workshop, we will focus on the essentials of realistic painting, while keeping our brushwork loose and painterly. We’ll explore fundamentals of color mixing, using Sarah’s simple palette of eight colors, and address composition and still life setup, learning to look at traditional subjects in a new way. Simple, colorful arrangements are a great way to hone your artistic vision, delve into color, composition, and brushwork, and bring fresh energy to your studio routine. Instruction will be in oils, and students are encouraged to use them in class, but acrylics are also welcome. Watersoluble oils are not recommended.
 
Location: Bainbridge Island, Washington
Instructor: Sarah Sedwick, sarahsedwick.com
Cost: $395
Sponsor: Winslow Art Center
Website, email, 206-715-6663


"Felicia Forte Paints Alla Prima Still Life and Portrait"
April 27-29, 2018
 

Alla Prima painting, or wet into wet, single session painting is a stimulating method which teaches you to be present in every brush stroke, focusing only on the essentials—ultimately giving you great dexterity and control. With demonstration and gentle critique, Felicia will challenge you to correctly observe and record the fundamentals: shapes, values, edges and color. In this workshop Felicia will combine portraiture, the subject that she was first interested in and with which she gained her skill with her current interests in still life, interiors and abstraction. Felicia is an inspired and creative teacher—with 9 years of teaching experience, she interacts with each student according to their experience and strengths. All levels welcome.
 
Location: Bainbridge Island, Washington
Instructor: Felicia Forte, www.feliciaforte.com
Cost: $480
Sponsor: Winslow Art Center
Website, email, 206-715-6663


"Still Life: Structure and Variation"
July 9-13, 2018
 

Still life will be the starting point for exploration of pictorial structure, space and invention. This will lead us to create images in the simplest terms: a series of shapes and colors made of paint (not a beach ball or a flower). We will generate permutations of the chosen motif through reduction and analysis. As we walk the line between accuracy and abstraction, we will see through and around the meaning of things to grasp relationships between objects and space. Mediums will include graphite, charcoal, ink, acrylic or oil paint, and collage. The personal voice of each painter will come through in the diverse results. Looking at historical and contemporary still life paintings will place the practice in a larger context.
 
Location: Bainbridge Island, Washington
Instructor: Catherine Kehoe, www.catherinekehoe.com
Cost: $625
Sponsor: Winslow Art Center
Website, email, 206-715-6663


"Plein Air Flower Painting"
August 9-11, 2018
 

This workshop will consist of plein air in some of Whidbey Island's beautiful gardens, and also one or two studio days. I will show you how to simplify a flower scene. I will demo in the morning, and the students will paint in the afternoon. On the second day we will return to the site and I will demo on how to finish a painting. The students will either work on the same painting or start a new one, whichever they prefer. For the studio day, I will again demo, with the focus on how to design a floral still life that has a fresh and natural look with lots of movement. The students then will set up their own still lifes.
 
Location: Langley, Washington
Instructor: Kathy Anderson, www.kathyandersonstudio.com
Cost: $500
Sponsor: Whidbey Island Fine Art Studio
Website, email, 360.637.4690


"Painting Flowers"
September 21-23, 2018
 

This workshop will cover how I approach a floral painting from life. Due to the fleeting subject matter, I will walk the students through my entire process. Each morning will be spent discussing basic principles of the block-in and getting the gesture of the flowers from a live demonstration. From there, I will show you on your own work how to plan several steps ahead in your painting to achieve the highest level of finish throughout the course. There will be emphasis given to developing the painting combining the use of optical observation and conceptual form rendering techniques.
 
Location: Langley, Washington
Instructor: Michael Klein, www.michaelkleinpaintings.com
Cost: $550
Sponsor: Whidbey Island Fine Art Studio
Website, email, 360.637.4690


"Composition through Still Life"
November 1-4, 2018
 

In this workshop we will use still life to explore composition. We will consider the geometry of the arrangement, viewpoint, color, value relationships and balance in a series of small painted studies, working toward a composition that is constructed as a whole unit. Focus will be placed on satisfying and accurate drawing, value and color relationships. The workshop will be taught through lecture, demonstration and critique.
 
Location: Langley, Washington
Instructor: Zoey Frank, zoeyfrank.com
Cost: $600
Sponsor: Whidbey Island Fine Art Studio
Website, email, 360.637.4690


 

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